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Dancing  for  Men. 

C.  Ward  Crampton,  H.  D.,  Associate  Director  Physical 
Training,  Public  Schools,  New  YorK  City. 

The  following  dance,  the  "Stuyvesant,"  is  a  good  ex- 
ample of  folk  dance  material  adapted  to  practical  gym- 
nasium work  for  boys  and  young  men. 

This  dance  consists  of  steps  which  are  developed 
mainly  from  Irish  sources,  and  it  has  been  developed  by 
Abner  P.  Way,  M.  D.,  in  the  course  of  his  physical 
training  work  in  the  High  School  of  Commerce  and  the 
Stuyvesant  High  School,  New  York  City. 

It  is  fair  to  state  that  the  work  accomplished  by  a 
class  of  young  men  in  going  through  this  dance  will 
equal  that  of  a  vigorous  gymnastic  period,  or  a  basket 
ball  game  of  equal  length  of  time.  Many  of  the  steps 
may  be  done  32  counts  instead  of  16,  or  to  16  instead  of 
8  counts. 


The  "Stuyvesant"  Dance. 

Abner  P.  Way,  M.  D.,  Stuyvesant  High  School,  N.  Y.C. 


SIDEWARD    LEAPING. 
HlpH    Firm. 


Arm    raised    sideward. 


INCHING   SIDEWAYS. 


Li  arm  half  circle  over 
head, 


Step  left  with  left  foot 1 

Cross  right  over  forward  to 
left,  face  slightly  to  left 
and  raise  left  foot  be- 
hind   2 

Hop  on  right  in  last  posi- 
tion     3 

Jump  back  to  left  foot,  rais- 
ing right 4 

Step  to  right  with   right ...  1  Fig.  1 
Cross  left  over  to  right, 
raising  right  behind.  . .  .2  Fig.  2 

Hop  on  left 3  Fig.  2 

Jump  back  to  right  foot... 4 

Repeat  to  16  counts  in  all. 

Inch   sideways   on    left   foot, 

right  foot  following Fig.  S 

263018 


,  J*  arm  c»  kli«.  Weight  on  left.     Start  with 

!  t  ••*•*«  '.*  stamp  with  left  on  count 

one  and  bring  up  be- 
tween counts.  Look 
over  the  right  shoulder. 
Repeat  toward  right,  look 
over  left  shoulder,  and 
reverse  arms. 
Repeat   to   16   whole  counts. 

TOE  AND  HEEL  AND  CAKEWALK. 

Hlp«  Firm.  Left  foot  sideward,  left  with 

heel  up 1  Fig.  4 

Left  foot  sideward,   left  toe 

up    2  Fig.  5 

Same  to   right 3   and   4 

Repeat  to  8  counts. 

Run  forward  8  counts  with 

knees    high,    head    well 

back. 
Repeat      toe      and     heel      8 

counts. 
Run   back   with   knees  high 

8   counts. 

KNEE-TWISTING    AND     SIDE-KICK. 

Hipa  Firm.  Knees  bent,  weight  on  left, 

right    knee    twisted    in, 
heel    turned    out,    instep 

toward  floor 1  and  2 

Reverse   position,    left   knee 

twisted 3  and  4  Fig.  C 

Same  as  1  and  2 5 

Same  as  3  and  4 6 

Same  as  1  and  2 7  and  8 

Hop  on  left  foot,  touch  right 

in  front  of  left 1 

Hop   on  left,  kick  right  ob- 
liquely  forward 2 

Repeat  this  to  8  counts 
moving  3  or  4  inches  to- 
ward left  with  each 
count. 
Repeat  knee-twisting,  begin- 
ning opposite.. 8  counts 
Repeat  side-kicking,  begin- 
ning opposite.. 8  counts 


JUMPING  JACKS  AND   COBBLER. 

Rigrht  arm  up.  Left  arm  at  side,  right  arm 

obliquely     forward,    up- 
ward  on   first   count. 
Hop  on  bent  left  knee,  right 
leg     obliquely     forward, 
heel  down,  toe  up.l  and  2 
Left  arm  up.  Reverse    position,    left    foot 

out 3  and   4  Fig.  7 

R  arm  up.  Same  as  1  and  2 7  and  8 

L  arm  up.  Same  as   3  and  4 6 

R  arm  up.  Same  as  1  and  2 5 

Cobbler.  Jump    to    deep    bent    knees, 

heels     together,      hands 
straight   down    between 

knees    1  Fig.  I 

J.ump  to  wide  stride,  heels 
on  floor,  toes  up  side- 
ways, swinging  arms 
sidewards  upward  to  ob- 
lique    2  Fig.  9 

Repeat   to  8   counts. 
Repeat    Jumping    Jacks    to 
8   counts   beginning  op- 
posite. 
Repeat  Cobbler  to   8  counts 
beginning  opposite. 
18 


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Digitized  by  the  Internet  Archive 

in  2007  with  funding  from 

Microsoft  Corporation 


http://www.archive.org/details/dancingformenOOcramrich 


SIDEWARD   AND   TURN. 

Quick  hop  on  right,  rais- 
ing arms  and  left  foot 
-    sideward,    leap   sideward   to 

left  foot lFig.10 

Bring-  right  foot  across 
back  of  left  and  quick 
hop  on  right,  arms 
crossed  down  in  front.  .2Flg.ll 

Leap  out  to  left  again 3 

Bring  right-  across  back 
again  and  hop  on  right. 4 

Leap  to  left  foot,  right 
raised  backward,  left 
arm  half  circle  over- 
head, right  arm  down 
and  back 5 

Turn  abouc  toward  left,  hop- 
ping on  left 6,  7,  8 

Repeat,  starting  toward 
right. 

Repeat  to  32   counts. 

SINGLE  KICK  AND  SIDE-STEP. 

HIp»  Firm.  Hop     on     left,     touch    right 

across    in    front 1 

Hop  on  left,  kick  right  ob- 
liquely forward 2 

Quick  hop  on  left,  bring 
right  back  to  left  foot, 
weight  on  right 3 

Step  left  a  few  inches  to 
left  on  half-count  and 
step  right  few  inches  to 
left  back  of  left  foot... 4 

Repeat  opposite. 

Repeat  to  16  counts. 

DOUBLE   KICK   AND    SIDE-STEP. 

Hips  Firm.  Hop     on     left     foot,     touch 

right  across  front 1 

Hop  on  left,  kick  right  ob- 
liquely forward 2 

Same   as  1 3 

Same  as  2 4 

Quick  hop  on  left,  bring 
right  back  of  left  foot, 
weight  on  right,  and  re- 
peat side-steps  as  in 
single  kick,  but  twice 
as  many  steps  and  twice 
as  far  to  right.  .5,  6,  7,  8 
Repeat,  starting  opposite. 
FlaUh.  Repeat  the  fifth   step   to  the  de- 

sired side  until  all  are  in  column. 
Those  who  are  already  in  the  de- 
sired place  should  do  the  cobbler 
step  till  all  are  in  line. 


19 


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b.  Miller  Keyless  Lock  Co.,  Kent,  Ohio. 

c.  The  Chipman  Mfg\  Co.,  Cincinnati,  Ohio. 

d.  Corbin    Lock    Co.,    New    Britain,    Conn. 

e.  Miller   Lock   Co.,    Philadelphia,   Pa. 

D.  Shower  bath  valves. 

a.  Mott  Valve  made  by  J.  L  Mott  Iron  Works, 

N.  Y.  City. 

b.  Sunderland    made    by    Union     Brass    Works    Co., 

Boston,    Mass. 

c.  Brooklyn      shower      water      heater,      James 

Foster,  Pratt  Inst.,  Brooklyn,  N.  Y. 

d.  Clow  &  Sons,  N.  Y.  or  Chicago. 

e.  Henry  Huber,  N.  Y. 

f.  Mayer  Sniffen   Co.,  N.  Y. 

E.  Bowling-  alleys  (there  are  doubtless  many  local 
makers   of  alleys   in   each  city). 

a.  Brunswick-Balke-Collender  Co.,   227   Fourth 
Ave.,   N.   Y. 

b.  Narragansett  Machine  Co.,  Providence,  R.  I. 

c.  Alfred  Mark  Bros.,   24  Union  Sq.,  New  York 

City. 

d.  Bowling-  Ball  Co.,   62  Cooper  Sq.,  New  York 

City. 

e.  W.    E.    Dillingham    Co.,    42    South    St.,    New 
York  City. 

f.  Bernard    Iverson,     26    Court    St.,    Brooklyn, 

N.    Y. 

g.  Crawford,  Dayton,  Ohio. 

M.    I.    Foss,    chairman;    F.   B.    Barnes;   Geo.    F.    Poole,   M.   D., 
Geo.  M.  Martin,  C.  E.  Beckett. 


15 


Dancing  for  Men— Part  II 

C.  Ward  Campton,  M.  D.,  Assistant  Director,  Physical 
Training,  Public  Schools,  N.  IT.  City 

THE  IRISH  LILT 

It  is  difficult  to  find  a  more  appropriate  dance  for 
men  and  boys  than  the  Irish  Lilt.  In  almost  every  com- 
munity there  will  be  some  Irishman  who  has  danced  it 
on  the  green  sod  of  the  Emerald  Isle  and  can  be  per- 
suaded to  demonstrate  the  steps.  It  is  a  dance  that  is 
more  nearly  in  accord  with  our  Anglo-Saxon  blood  than 
any  other. 

These  particular  steps  are  chosen  from  many,  and  are 
subject  to  a  great  variation. 

In  our  teaching  it  in  1901  I  found  that  high  school 
boys  enjoyed  them  thoroughly;  and  they  have  been  used 
consistently  with  great  success  in  other  city  schools,  par- 
ticularly in  the  Commercial  High  School,  of  Brooklyn, 
by  Mr.  Thos.  J.  Browne. 


The  Irish  Lilt 

Thos.  J.  Browne,  BrooKlyn,  N.  Y. 

INTRODUCTORY 

Following  are  the  steps  if  the  Irish  Lilt  as  used  in  the 
pubilc  high  schools  of  Greater  New  York;  the  various  steps 
are   arranged   in   order  of  difficulty,   the  easier  first: 

1 — "Sideward    Rock." 

2 — Steps — "Break" — a    connecting    step. 

1.  Forward   Rock. 

2.  Kick. 

3.  Toe  and  Heel. 

4.  Leg  Twist  and  Kick. 

5.  Side   Step. 

6.  Kick    and    Change. 
Music. 

"Yankee   Doodle." 

"The    Irish    Washerwoman." 

"The  Campbells  are  Coming,"  etc. 
Sideward  Hock. 

From — position  with  heels  together  and  hands  on  hips: 
Count  1:     Hop  and  raise  right  leg  sideways. 
2:     Hop    and    brin<r    right    leg    under    body    and    raise    left    leg 

sideways. 
3:     Repeat  rapidly  to  music. 

1st    Step— "Forward   Rock.'* 

Similar   to    sideward   rock   except   that   plane   of   movement 
is  changed  from  sideward  to  forward  and  back  as  follows: 

1:     Hop  with  weight  on  left  foot,  raising  right  foot  backward. 

2:     Hop    on    right    foot    and    raise    left    foot    forward. 

3:     Repeat   up   to   twelve   counts,   always   raising  left   foot   for- 
ward and   right   foot  backward. 
After  the  twelfth  count  by  means  of  the  "Break"  bring  the 
right  foot  forward  and   repeat  the  s«.ep  for  twelve  counts. 

"Break." 

1:     Spring   and    spread    feet. 
2:     Spring  arid  bring  feet  together  again. 
3:     Hop  and  raise  left  leg  backward. 
4:     Hop  and  kick  left  leg  forward. 

Practice  this  movement  thoroughly.  After  having  learned 
it  the  "Break"  is  not  used  as  a  separate  step  but  is  used  to 
connect  the  various  steps,  and  to  connect  the  first  and  second 
halves  of  each  step;  for  example,  when  the  twelfth  count  in 
the  first  half  of  the  "forward  rock"  is  reached,  the  left  foot 
is  forward  in  the  air;  the  feet  should  then  be  spread  (count 
one  of  the  "Break"),  brought  together  again  (count  two),  the 
right  leg  raised  in  back  (count  three),  then  brought  forward 
(count  four),  ready  to  be  placed  on  the  ground  for  the  first 
count  of  the  second  half  of  the  forward  rock,  which  is  done 
with  the  right  foot  forward.  The  same  process  is  gone  through 
with  at  the  end  of  the  step  in  order  to  bring  the  left  leg  in 
position  to  start  the  next  step. 

2nd   Step — "Kick."     Two   counts  to   each   foot. 

1:     Spring  and  raise  left  leg  backward. 
2:     Spring  and   kick    left   leg  forward   outward. 
3:     Spring  to  left  and  raise  right  leg  backward. 
4:     Spring  and  kick  right  leg  forward  outward. 

Continue  to  twelfth  count,  then  do  "Break"  for  four  counts, 
then  repeat  step  for  twelve  counts. 


3rd  Step — "Toe  and  Heel."     Four  counts  to  each  side. 

1:     Spring  and  face  to  right,  stretching  left  leg  backward  (but 

to    left    of   starting   position)    and    placing    left    toe    on 

floor. 
2:     Spring  and  about  face  to  left,  rotating  left  leg  and  placing 

left  heel  where  toe  was. 
3:     Spring  and  face  to  front,  placing  left  toe  on  floor  near  right 

foot. 
4:     Spring  and  kick  left  leg  forward  outward. 
5:     Spring  and   land  on   left  leg,   facing  to  left  with   right  leg 

extended  and  toe  on  floor. 
6,  7,  8:  Proceed  as  with  left  leg. 
9-12:     Repeat   with    left  leg  and   then   "Break"   and   start   with 

right  leg  for  twelve  more  counts. 

4th  Step — "Leg  Twist  and  Kick." — Similar  to  the  "Toe  and 
Heel"  except  that  the  toe  and  heel  of  extended  leg  are 
not  placed  on  the  floor.  The  pointing  out  of  this  simi- 
larity will  aid  in  teaching  the  step.  Four  counts  to 
each  side. 

1:     Spring  and  face  to  right,  raising  left  leg  backwards. 

2:  Spring  and  about  face  to  left,  rotating  left  leg,  but  keeping 
it   pointed   in   same   direction,   with   knee   slightly  bent. 

3:     Spring  and  place  left  toe  near  right  foot. 

4:     Spring  and  kick  left  leg  outward. 

5.  Spring  to  left  foot  and  face  to  left,  raising  right  leg  back- 

ward. 

6.  7,   8:     Same  as  with  left  leg. 

9-12:  With  right  leg,  and  then  "Break"  and  repeat,  starting 
with  right  leg. 

5th  Step — "Side  Step" — eight  steps  to  a  measure  instead  of  four 
as  in   the  other   "steps." 
Place  left  leg  across  in  front  of  right  leg  and  left  foot  on 
floor   to    right   of  right   foot. 
2:     Place  right  foot  to  right  of  left  foot,  but  in  back. 
3:     Again   move  left  foot   past   right   to   right. 
4:     Again    move   right   foot   past   left   to   right. 
5:     Again  move  left  foot  past  right  to  right. 
Again  move  right  foot  past  left  to  right. 
Again  move  left  foot  past  right  to  right. 

Hop  on  left  foot  and  slightly  backward,  swinging  the  right 
leg  forward. 
9.     Place  right  foot  to  left  of  left  foot  in  front. 
10:     Move  left  foot  to  left. 
11-15:     Proceed   as    in   first   seven    counts,   but   toward    the   left 

starting  the  right  foot  in  front. 
16:     Hop   on   right   foot  and   swing  left   leg   forward. 
17-24:     As  in  first — eight  counts,  then   "Break"  and  bring  right 
leg  forward  and  proceed  for  twenty-four  counts. 
The  idea  in  this  step  is  to  take  short  steps  sideways  very 
rapidly,  changing  direction  every  eighth  count  with  a  hop. 

6th  Step — "Kick  and  Change." 

1:     Spring  and  place  left  toe  back  of  right  heel. 

2:     Spring  and   kick   left   leg   diagonally   forward. 

3:     Spring  and   place  weight   on   left   foot  and   raise    right   leg 

backward. 
4:     Hop  with  left  leg,  and  still  hold  right  leg  up  in  back. 
5:     Hop  with  left  leg,  and  place  right  toe  back  of  left  heel. 
6:     Spring  and  kick  right   leg  diagonally  forward. 

7.  Spring  to  right  and  raise  left  leg  backward. 

8:  Hop  with  right  foot,  holding  right  leg  up  in  back. 
9-12:  As  in  first  four  counts.  Then  "Break,"  and  repeat  start- 
ing with  right  toe. 
Each  step  should  start  to  the  left  and  continue  for  twelve 
beats,  then  the  "Break"  should  come  in  for  four  beats  bringing 
the  right  leg  forward;  the  step  then  resumed  for  twelve  counts 
starting  to  the  right,  and  finishing  with  the  "Break,"  preferably 
stamping  with  the  left  leg  on  the  fourth  count  instead  of 
swinging   it   forward. 


edited  by  W.  D.  Bliss,  has  been  issued  and  contains  a 
wealth  of  social  statistics  of  value  to  the  physical  director 
who  is  interested  in  social  service. 

The  World's  Work,  the  June  number,  contains  an  in- 
teresting article  by  Dr.  Luther  H.  Gulick  on  "The  High 
Tide  of  the  Physical  Conscience."  The  title  is  suggestive 
of  its  content. 

Miss  Elizabeth  Burchenal  and  Dr.  C.  Ward  Crampton, 
both  of  the  Physical  Training  Department  of  the  Public 
Schools  of  New  York  City,  have  collaborated  the  music 
for  fully  76  dances  of  the  people  of  various  nations  es- 
pecially adapted  for  use  in  the  gymnasium.  This  will  be 
a  notable  contribution  to  those  who  are  conducting  gym- 
nasium work  by  music  and  will  furnish  the  pianist,  who 
frequently  is  not  an  expert  in  the  knowledge  of  folk 
dances,  with  a  splendid  suggestive  collection  of  music. 
The  price  in  paper  is  $1.00;  cloth,  $2.00. 

A  new  book  written  from  a  scientific  standpoint  and 
backed  by  a  rich  experience  has  been  issued  by  the  clergy- 
men of  the  Emanuel  Church  of  Boston,  who  have  been 
engaged  in  the  successful  work  of  healing  disease  by  the 
so-called  Psychotherapeutic  method — a  combination  of 
religious  and  medical  methods.  It  is  entitled  "Religion 
and  Medicine."  Its  editors  are  Rev.  Worcester,  Mc- 
Comb  and  Dr.  Coriat.    The  price  is  $1.50. 

Mr.  Elmer  Berry  by  request  presents  the  following 
bibliography  on  gymnastic  dancing: 

Marching  Calisthenics  and  Fancy  Steps  for  the  Gym- 
nasium— Gertrude  Williams  Lundgren ;  Freidenker  Pub. 
Co.,  Milwaukee,  Wis. 

Grammer  of  the  Art  of  Dancing — Zorn. 

History  of  the  Art  of  Dancing — Beuillier. 

Old  Danish  Folk  Dances — Lida  Saboni  Hanson  and 
Laura  Wolcott  Goldsmith,  Teachers,  College,  New  York 
City. 

Jumping  Jacks  Dance — O.  L.  Hebbert,  American  Gym- 
nasia. 

Dancing  for  Men — C.  Ward  Crampton  : — 

Russian  Dance  by  Eliz.  Burchenal ;  Irish  Lilt  by  T.  J. 
Browne.     Physical  Training,  March  and  April,  1908. 

19 


Dancing  For  Men. 

C.  Ward  Crampton,  M.  D. 

We  have  been  particularly  fortunate  in  securing  for 
this  series  of  "Dancing  for  Men"  an  original  dance  by 
Mr.  Oliver  L.  Hebbert,  physical  director  of  the  Provi- 
dence Young  Men's  Christian  Association.  To  Mr.  Heb- 
bert is  due  the  honor  of  being  the  first  to  introduce  danc- 
ing for  boys  and  men  into  physical  training.  There  is 
no  one  in  America  who  began  this  work  as  early  as  he 
or  has  carried  it  on  with  as  great  success. 

Taking  his  "Jumping  Jack"  and  the  "Dixie  Rube"  as 
examples  we  will  see  that  Mr.  Hebbert's  work  has  many 
of  the  characteristics  of  the  folk  dances  that  are  danced 
by  men  of  Russia,  Bohemia  and  elsewhere.  Where  they 
are  descriptive  they  mimic  large  and  vigorous  action, 
where  they  are  expressive  they  translate  into  motion  pure- 
ly virile  qualities.  They  are  full  or  verve  and  elan  they 
are  jolly  and  strenuous  and  they  are  full  of  the  Ameri- 
can spirit.  If  any  dances  other  than  our  old  familiar 
country  dances  have  a  right  to  be  called  American  these 
works  of  Mr.  Hebbert's  have  the  best  claim. 


Dance  of  the  Dixie  Rubes. 

0.  L.  Kebbert. 


First  Step. 


i.  Hop  on  left  foot  and  touch  right  toe  behind  left  heel.  R.  hand  on 
hip.      L.    arm    upward. 

2.  Hop    on    left    foot,    kick    right   foot    up   forward. 

3.  Hop   on   left  foot,   touch  right   toe  in  front  of  left  foot. 

4.  Hop    on    left    foot,    kick    right    foot    up    forward. 

5  to  8.  Galop  forward,  finishing  with  hop  on  right  foot,  raising  left 
leg    high    behind. 

9.  Step  back  on  left  foot  and  kick  right  leg  up  forward.  Arms  side- 
ways. 

10.  Step  on  right  foot  and  kick  left   leg  up  forward,  arms  sideways. 

11.  Step    on    left    foot    and   kick    right   leg    up   backward,   arms   sideways. 

12.  Step   on   right   foot   and   kick    left  leg  up   backward,   arms   sideways. 
13  to   16.      Full  turn  to  left  hopping  on  left  foot  four  times.     In  turning, 

left   arm   circled   over    head.     R.    hand   on   hip. 
17  to  32.     Repeat,    starting   with   other  foot. 
Repeat  whole  step  64  counts  in  all. 

Second  Step. 

1.  Hop  on   left   foot   and   touch    right   foot   behind  left   heel. 

2.  Hop  on  left   foot  and  kick  right  leg  sideways  to  right. 

3.  Hop  on  left  foot  and  touch  right  toe  in  front  of  left  leg. 

4.  Hop  on  left  foot  and  kick  right  leg   up  sideways. 

5.  Cross-step    right    behind    left    leg. 

6.  Step   left    foot    sideways   to   left. 

7.  Cross-step    right    foot   in    front    of   left. 

8.  Hop   on   right   foot   and   kick    left  sideways   upward. 
9  to    16.     Repeat,    starting    opposite    foot. 

17   to   32.     Repeat   whole  step. 

Third  Step. 

1  to  4.     Same  as    1   to   4,   in  second  step. 

5  to  8.     Galop   sideways  to   right,  finish  with  jump  onto  both  feet. 

9.  Step   to   left   with   left   foot. 

10.  Hop  on  left  foot  and  raise  right  leg  across  left. 

11.  Step   sideways   to   right  with   right   foot. 

12.  Hop   on   right   foot    and  raise   left   leg  across  right. 

13  to  16.     Galop     sideways    to    left,     finishing  on    both    feet. 
17  to  32.     Repeat,    starting   with   left   foot. 
Repeat    whole    step    64    counts. 


Fourth  Step. 

i.  Hop    on    left    foot    and    place    right    heel    obliquely    forward    on    floor. 

2.  Hop  on  left  foot  and  place  right  toe  behind  left  heel. 

3.  Same    as    1. 

4.  Same  as  2. 

5  to  8.     Run  forward  four  stfiBa^jtfSriqg  kne'dl-well  up  as  in  cake-walk). 
9.     Hop  on  left  foot  and  touch*  right  roe  obliquely  backward   right. 

10.  Hop  on  left  foot  and  touch  right  heel  obliquely  backward  right. 

11.  Hop   on  left  foot   and  touch  right  toe   obliquely  backward   right. 

12.  Hop  on  left  foot  and  touch  right  heel  obliquely  backward  right. 

13  to    16.  Calop  obliquely  back  var d  to  right,  finishing  on  both  feet.   Heels 

together. 
17  to  32.     Repeat,    starting    with    opposite    foot. 
Repeat   whole   step   64   counts. 

Fifth  Step. 

1.  Hop    on    left    foot,    touch   right    toe   behind   left   heel. 

2.  Hop    on    left    foot,    kick    right    leg    up    sideways. 

3.  Hop   on   left   foot,  touch   right  toe   in   front   left   foot. 

4.  Hop    on    left    foot,    kick   right    leg   up    sideways. 

5.  Cross-step   right   foot   behind   left   leg. 

6.  Jump  sideways  to  left,  crossing  right  foot  in  front  of  left  foot.   Land 

on    left    foot   first. 

7.  Jump   sideways   to   left,   landing   with  right   foot  behind   left   foot. 

8.  Kick  left  leg  up   sideways  to   left,   hop   on   R. 
9  to  16.     Repeat,    starting    opposite    foot. 

17  to  32.     Repeat   whole   step. 

Sixth  Step. 

1.  Slide    right    foot    obliquely    forward,    right   arm   leading. 

2.  Hop    on    right    foot,    raise    left    foot    well    up    backward,    right    arm 

leading. 

3.  Step    back   onto    left   foot,    raising   right    foot    upward,    left    arm    up- 

ward,  right   arm   across   body. 

4.  Hop   on  left  foot,  raising  right  foot  upward,  left   arm  upward,   right 

arm    across    body. 
5  to  8.     Turn  to  right  with   three  running  steps,   (Right,  left  .right)   and 
hop  on  right   foot,   raising  left   leg  forward. 
9  to  16.     Repeat,    starting   with    left    foot. 

Seventh  Step. 

1  to  4.     Same   as   in    1st   step. 

5  to  8.     Hop   forward  on  right  foot,  right   arm  ijpward. 

9.  J4    turn    left,    stepping   on    left    foot,    raise    right    leg    forward. 

10.  y4    turn  left.      Hop  on  left  foot. 

11.  J4    turn   left.      Step   on   right   foot,   raise  left   leg  forward. 

12.  J4   turn  left.   Hop   on  right  foot.  \ 
13  to  16.     Turn    left    with    three    running    steps,     (Left,    right,    left)    and 

heels    together. 
17  to  32.     Repeat    1   to    16. 

Eighth  Step. 

Exit    with    Two-step.  % 


Music:      "The   Dixie   Rube,"   by   Thos.    S.   Allen. 
Published    by    Walter   Jacobs,    Boston,    Mass. 
22 


GAYIORO    BROS. 

MAKERS 

SYRACUSE,-  NY. 
pat.  jan.  2i,  taoa 


263018 


LXIVKRSITY  OF  CALIFORNIA  LIBRARY 


UNIVERSITY  OF  CALIFORNIA  LIBRARY 
BERKELEY 

Return  to  desk  from  which  borrowed. 
This  book  is  DUE  on  the  last  date  stamped  below. 


% 


* 


y*. 


30Aug'62lJ 
AUG  2 


pH0T0C0Py  FEB  2  if '88 


